Special skills: Singing (mezzo-soprano, Cornelius Reid method), Piano (Grade 9 Royal Conservatory of Music), Violin, Karate.
Acting Roles
Linda Griffiths in “Shadows in the Nooks: Spirited Women in Canadian Theatre.” Griffiths segment by Melanie Stevenson, directed by Barbara Larose, produced by Nicole Arends and Kristine Greenaway. Toronto, October 8-9, 2024 and February 11-14, 2025.
Megan in “The Departure Train” by Michelle Tocher, directed by Nicole Arends. Audioplay. The Departure Project. https://thedeparturetrain.com/
Bets in “Fairview” by Jackie Sibblies Drury, directed by Ilana Linden (Alumnae Theatre, Zoom Toronto)
Judge Brack in “Hedda Gabbler” by Henrik Ibsen, directed by Victoria Shepherd (Alumnae Theatre, Zoom Toronto)
Ruth in “Motherhood” by Lawrence Aronovitch, directed by L.A. Walcott (New Ideas Festival, Toronto)
Jessie in “Sweat” by Lynn Nottage, directed by Ilana Linden (Alumnae Theatre, Zoom Toronto)
Meghan in “Covid Made Me Do It” by Helena Raposo, directed by Lola Gafaar (Haven Theatre, Zoom Toronto)
Simon in “Toronto the Good” by Andrew Moodie, directed by Lola Gafaar (Alumnae Theatre, Zoom Toronto)
The Woman in “The Father” by Florian Zeller, directed by Victoria Shepherd (Alumnae Theatre, Zoom Toronto)
Freddy in “Picasso at the Lapin Agile” by Steven Martin, directed by D. J. Elektra (Alumnae Theatre, Zoom Toronto)
Orpheus in “Eurydice” by Sarah Ruhl, directed by Nicole Arends (Alumnae Theatre, Zoom Toronto)
Jessica in “If We Are Women” by J. McClelland Glass, directed by Brenda Darling (Alumnae Theatre, Zoom Toronto)
Alice/Susannah in “The Book of Will” by Lauren Gunderson, directed by Anne Harper (Alumnae Theatre, Zoom Toronto.)
Sue/Ben in “The Lion in the Streets” by Judith Thompson, directed by Brenda Darling (Alumnae Theatre, Zoom Toronto)
Additional Training
Acting Master Class with R.H. Thompson, Fall 2022.